I
remember back in the day when I first heard of this album. I remember
how ridiculously excited I was to hear something so musically
challenging. 100 songs? Less than 20 minutes? Bitch please, you must
be trippin'! And trippin' I was when I first got this record in it's
original 3" CD package from some crazy-mainstream outlet like
Virgin Megastore or Zavvi (I forget which). I now own this testament
to insanity three times; on the original 3" CD, the double
shaped/blank CD package featuring ANbRX II (which is a fuckton of
Delta Nine remixes) and on white 10" vinyl. All pressed by
Relapse, of course. The vinyl version conveniently plays track 0 for
you right at the start, which was always a nightmare to hear on the CD
version because you had to rewind from 00:00 as soon as the first
song started. If you wound back too far it'd just fucking cut out,
which was a pain in the ass. Agorapocalypse also has this cool but
rather annoying gimmick with it's first track too.
When
I first heard this at 15 years old I expected 100 micro-grind blasts
to the face and was initially disappointed with the electronic
passages. I felt like I was being robbed of precious grindcore, ha
ha! Although I still think it's a bit shit that the electronics are
cut up into little pieces and passed off as songs, I have grown to
like these just as much as the grind on display here. Some of the
samples here are absolutely timeless when blended with such harsh
noise (there is a lot taken from the film Holy Mountain). I always
thought that the 12 Days of Sodom section in the middle of the record
would be excellent as an EP in it's own right, as something crazy
like a 4" or something.
So
yeah, I'll go ahead and cut this off now before I ramble for seven
thousand paragraphs about every single micro-song on this record.
I've kinda fizzled myself out on grind these days but Agoraphobic
Nosebleed remain one of my favourite bands of all time and this
record stands in the halls of awesome grind as proof that such
sonically mindfucking music can exist.
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