It sometimes seems a bit detrimental to do reviews on albums
that are really old, but as I trawl through covering a little bit about every
piece of music in my collection (yes, that’s still an aim of Lines In Wax,
despite the recent abolition of reviewing individual formats) it becomes an inevitability.
A lot of people can take or leave Korn. In fact, I know tons of people who
absolutely hate Korn. But, this album had a massive effect on the metal and
alternative scenes in the early 90s. Maybe not as much as Korn would like to
think (Jon D reckons Korn laid the template for dubstep, for fuck sake),
but it can be blamed for cementing the nu-metal genre fully into existence and starting
a mainstream craze in downtuning guitars. You can also blame this record for
Sepultura’s Roots. Uch.
Korn is a rough but disciplined record. It has messy, raw
metal hanging off a military-precise hip hop backbone, with Jon Davis
attempting a more grunge-style vocal approach here than the famous whines and
barking sounds that he would later become renown for. “Blind” introduced the
unsuspecting world to the sound of Korn, whilst “Clown” was not only just
another single but my favourite track off this album. There’s also the
hat-trick of “Predictable”, “Fake” and “Lies” that lead towards the
controversial, monstrous closing track, “Daddy”. I’m still not sure to this day
if I like “Daddy” or not, but this album (or even Korn) would not be the same
without this track.
All in all, Korn’s self-titled is a classic (or is that
Klassic?) for me, and a definite staple in the evolution of metal music. It
might have led to some pretty drastic music over the next decade or so (rap
metal? Uch…) but it still gets the odd semi-regular spin. I’m looking forward
to the 20th anniversary tour for this album – even if it doesn’t
come near me, I’d love to hear the band play through it again 20 years older
and (presumably) wiser.
Are you ready?
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